Form and Content
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Philosophy of Creative Works: 3
Figure 1: One dimensional content delivery. Elements: Content Format: Oral and written communication Figure 2: Two dimensional content delivery. Elements: Form and Content Format: Oral, written, and visual communication Figure 3: Three dimensional content delivery. Elements: Form, Content, and (Context, Time, or Space) Format: Oral, written, visual, and (psychological, experiential, or referential)…
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Philosophy of Creative Works: 2
Facet A (absence of sound) is more important than facet B (noise or tone). Facet A or B exist individually as data. Facets A + B together equate to information. The existence of facet A provides definition or identity for facet B. Without A the accumulation of sounds from B results in noise. The illustration is…
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Philosophy of Creative Works: 1
I was thinking about my stopmotion projects and also what I find attractive in the work of other creatives. I then thought about ways to visually represent this method, approach or general philosophy. So… A is more important than B. More to come…
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Semantic Structures and Storytelling 2.0
I found another post on the web about the impact, or influence, of technology in filmmaking, videomaking, and animating. In this case it is the ideas borrowed from the semantic web that could be used to enhance traditional narrative structures and possibly change the way people consume-create media. This approach lends to the portability of…
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Story Cubes
I made some story cubes over the weekend as a creative project. Story cubes seem to be used for brainstorming stories or narrative content. You roll them out and based on the icons that are showing formulate some kind of story. Since they are physical blocks it adds a tactile quality to the activity which…